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      <image:title>Press2 - "How do we create in times of destruction? How do we generate in times of decay?"</image:title>
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      <image:title>Press2 - "How do we create in times of destruction? How do we generate in times of decay?"</image:title>
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      <image:title>Press2 - Elliott Bay Book Company [2022]</image:title>
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      <image:title>Press2 - Unrehearsed Futures [2022]</image:title>
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      <image:title>Press2 - City Lights [2022]</image:title>
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      <image:title>Press2 - KQED [2022]</image:title>
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      <image:title>Press2 - Access Bollywood [2022]</image:title>
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      <image:title>Press2 - Medium/Mark Broms [2022]</image:title>
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      <image:title>Press2 - PRH Winter Library Festival [2022]</image:title>
      <image:caption>Nandita Dinesh, author of This Place That Place (coming June 2022), in conversation with her editor, Carl Bromley, at the Penguin Random House 2022 Winter Library Festival.</image:caption>
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      <image:title>Press2 - Santa Fe Reporter [2019]</image:title>
      <image:caption>Nandita Dinesh bends the definition of theater and education with an immersive sociopolitical installation</image:caption>
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      <image:caption>"Talking Theatre Live!" is a series of live conversations between Ironweed Productions Artistic Director Scott Harrison and Santa Fe theatre writers, actors, directors, producers, designers, dramaturges and stage managers: sharing stories about their experiences in the theatre and the unique paths they've taken to creating theatre in Santa Fe.</image:caption>
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      <image:title>Press2 - Wellesley Underground [2018]</image:title>
      <image:caption>Wellesley Writes It: Offering Art and Theater Amidst War and Censorship As An “Insider”/ “Outsider” in Kashmir</image:caption>
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      <image:caption>Scripting conflict: An interview with Nandita Dinesh</image:caption>
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      <image:title>Press2 - The Loft [2017]</image:title>
      <image:caption>Nandita Dinesh sharing her journey, experiences and work in theater around the world at the Loft.</image:caption>
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      <image:title>Press2 - Open Book Publishers [2016]</image:title>
      <image:caption>Nandita Dinesh discussing Theatre and War</image:caption>
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      <image:title>Press2 - Keen On [2022]</image:title>
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      <image:title>Press2 - The Hindu [2016]</image:title>
      <image:caption>Mission Kashmir: https://www.thehindu.com/features/metroplus/society/Mission-Kashmir/article14395240.ece</image:caption>
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      <image:title>Press2 - How Brechtian Theater Can Help Americans Talk to One Another Again</image:title>
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      <image:title>Testimonial - Almira, Sips &amp; Stories, October 2025</image:title>
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      <image:title>Testimonial - Ron, Sips &amp; Stories, October 2025</image:title>
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      <image:caption>Nandita holds a PhD in Drama from the University of Cape Town in South Africa, an MA in Performance Studies from the Tisch School of the Arts at New York University, and a BA in Economics &amp; Theater from Wellesley College. An alumna of the United World College movement, Nandita has conducted community-based theatre projects in various parts of the Indian subcontinent, the United States, Mexico, Costa Rica, Guatemala, Rwanda, Uganda, Kenya, South Africa, and Zimbabwe. In 2017, she was awarded the Elliott Hayes Award for Outstanding Achievement in Dramaturgy by Literary Managers and Dramaturgs of the Americas. Currently Nandita works as a consultant with organizations that center education, the arts, and/or social impact. She is also spearheading Write the World: a global, intergenerational collective that explores how storytelling can facilitate nuanced engagement with the worlds around/within us. Learn more about Write the World.</image:caption>
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      <image:caption>Nandita Dinesh bends the definition of theater and education with an immersive sociopolitical installation</image:caption>
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      <image:caption>Scripting conflict: An interview with Nandita Dinesh</image:caption>
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      <image:caption>Mission Kashmir: https://www.thehindu.com/features/metroplus/society/Mission-Kashmir/article14395240.ece</image:caption>
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      <image:caption>On Writing (and Not Writing) About Mutton Biryani</image:caption>
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      <image:title>Essays Etc. - Writer’s Digest, 2022</image:title>
      <image:caption>Fiction gives me hope</image:caption>
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      <image:title>Essays Etc. - Resignation, 2022</image:title>
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      <image:title>Essays Etc. - Guernica, 2022</image:title>
      <image:caption>Illustration by Anne le Guern</image:caption>
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      <image:title>Essays Etc. - Textshop Experiments, 2018</image:title>
      <image:caption>Information for/from Outsiders: Chronicles from Kashmir</image:caption>
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      <image:title>Essays Etc. - Metheun|Drama, 2017</image:title>
      <image:caption>The Ambiguities of Shakti: Performing women’s well being in India</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ae7be0c365f02506239d099/93954344-576b-45c4-adb2-2db5e5bc19bc/Screenshot+2024-09-11+at+2.16.36%E2%80%AFPM.png</image:loc>
      <image:title>Essays Etc. - Journal for Artistic Research, 2016</image:title>
      <image:caption>Chronicles from Kashmir: Questions of balance</image:caption>
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      <image:title>Essays Etc. - Research in Drama Education, 2015</image:title>
      <image:caption>Elaborating Performance: Transnationalism and Blended Learning in the Theatre Classroom</image:caption>
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      <image:title>Essays Etc. - South African Theatre Journal, 2015</image:title>
      <image:caption>In-between spaces: theatrical explorations from Rwanda to Kashmir</image:caption>
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      <image:title>Essays Etc. - Performance Research Journal, 2015</image:title>
      <image:caption>Poetics &amp; (Mis) Representation: Creating theatre with/ for/ about ex-militants in Kashmir</image:caption>
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      <image:title>Essays Etc. - Research in Drama Education, 2015</image:title>
      <image:caption>Delusions of singularity: aesthetics, discomfort and bewilderment in Kashmir</image:caption>
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      <image:title>Essays Etc. - activate, 2014</image:title>
      <image:caption>Solidarity and Soldier(ity): Using Theatre in Military Contexts</image:caption>
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      <image:title>Essays Etc. - South African Theatre Journal, 2013</image:title>
      <image:caption>It's not that simple … doubts, responsibility, theatre and war</image:caption>
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  </url>
  <url>
    <loc>https://nanditadinesh.com/resignation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-10</lastmod>
  </url>
  <url>
    <loc>https://nanditadinesh.com/project-library</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-10</lastmod>
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      <image:title>Project Library - SAN QUENTIN</image:title>
      <image:caption>As the Dean of Academic Administration at Mount Tamalpais College, Nandita streamlined operations within the challenging environment of San Quentin State Prison. She designed and implemented a transparent, equitable course forecasting model, while also developing a curriculum to mentor incarcerated students on how to design &amp; teach their own programs. Nandita conceptualized and led the execution of bespoke events, including a research showcase, an international film festival, and a celebration that featured student speakers engaging with College faculty, donors, and guests. Passionate about enhancing students’ access to technology, Nandita spearheaded the launch of the College’s first blended learning courses on business operations (with faculty from San Francisco State University) and patriarchy (with faculty from Harvard University). She also initiated a unique forum that facilitated dialogue between College students and prison staff.</image:caption>
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      <image:title>Project Library - SAN FRANCISCO</image:title>
      <image:caption>At University High School, Nandita led the re-envisioning of the Human Development program, transforming it into the Institute for Responsive Education. Under her leadership, the Institute created five specialized centers: Community Engagement, Metacognition &amp; Neurodiversity, Health &amp; Wellness, Climate Studies, and Equity &amp; Community. She ran a seminar on Oral Histories, that engaged students in documenting narratives from non-teaching staff on the Facilities team, fostering appreciation for diverse experiences within the school community. Nandita co-directed and led an Equity &amp; Community event for prospective students, crafting mini-immersive experiences that allowed families and students to learn more about the school’s mission and values. Additionally, she coordinated and led the launch of the school’s first Ethnic Studies course, focusing on Food Justice in the Bay Area. This initiative set up opportunities for students to engage with organizations actively working in this critical area.</image:caption>
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      <image:title>Project Library - NEW MEXICO</image:title>
      <image:caption>While serving as the Associate Director of the Bartos Institute for the Constructive Engagement of Conflict (CEC) and the Head of Arts, Nandita spearheaded two pioneering programs. She established the Prison Education Portals, allowing UWC faculty &amp; students to engage with incarcerated youth through creative dialogue and learning. UWC students were guided to work collaboratively with their peers in a youth detention center in Albuquerque, facilitating generative exercises that fostered cultural exchange. Under Nandita’s leadership, participation in the juvenile justice community engagement program doubled, involving nearly 40% of the student body, with UWC students also serving as Teaching Assistants in courses taught via the Prison Education Portals. Nandita launched the CEC open access, multilingual journal, providing a platform for global thinkers to share research and reflections about engaging with conflict. The journal aimed to foster cross-cultural dialogue and understanding, enriching both the contributors and the audience with diverse perspectives and themes. In addition to these initiatives, Nandita taught theatre at UWC-USA, expanding her students' understanding of the form by intentionally introducing them to theorists and practitioners from six continents. She challenged them to question both the spaces used for theatre making and the often accepted lines between audience and actor.</image:caption>
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      <image:title>Project Library - KASHMIR</image:title>
      <image:caption>Beginning in 2011, Nandita engaged in arts-based research in Kashmir, collaborating with various individuals and organizations across stakeholder groups. From 2013 to 2018, Nandita partnered with the Ensemble Kashmir Theatre Akademi to create Chronicles from Kashmir. This research explored the multifaceted layers of the Kashmir conflict, particularly the intersections of civil society, militants, and government forces. For example: using immersive theatre, the project examined how women experience these conflicts differently than men; interviews with former militants provided narratives that intertwined their personal experiences with those of their families; engagements with members of the Indian Armed Forces illuminated the complexities and shades of grey in Kashmir’s stakeholder dynamics. The project evolved into a 24-hour immersive performance in 2017, a short film in 2018, and a multimedia open-access publication in 2020. This publication includes a script, filmed scenes, and contextual questions, serving as a valuable resource for educators and practitioners in performance and conflict studies.</image:caption>
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      <image:title>Project Library - DILIJAN</image:title>
      <image:caption>As Head of Performing Arts at UWC Dilijan College, Nandita played a pivotal role in designing Araks, a week-long, arts-centered event that commemorated the centenary of the Armenian genocide. This ambitious project brought together visual artists, scholars, musicians, writers, and performers, creating a multidisciplinary platform to explore complex themes of memory, loss, and resilience. By engaging the entire school and surrounding communities, Araks became a profound expression of cultural remembrance, fostering dialogue and understanding through the arts. In this inaugural year of UWC Dilijan College, Nandita also contributed to the establishment of a black box theatre at the college, providing a dedicated space for creative experimentation and performance. However, recognizing the potential of varied environments for theatrical expression, she simultaneously encouraged students to engage with questions of space. Rather than limiting performances to conventional settings like black box theaters or auditoriums, she invited her students to stage their works in diverse and unconventional sites. This approach not only broadened the scope of artistic exploration but also deepened the audience's connection to the themes presented, allowing for a more immersive experience.</image:caption>
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      <image:title>Project Library - PAUD</image:title>
      <image:caption>At UWC Mahindra College, Nandita worked to deepen connections among students, faculty, and non-teaching staff through an innovative Night School program. Understanding the importance of addressing actual community needs rather than making assumptions, she implemented a months-long process that included training 16- to 19-year-old students in conducting needs assessments. This approach ensured that the program genuinely reflected the desires of the young dining hall workers from rural India: improving their skills in conversational English and computer literacy, expanding their possibilities for future employment. In addition to the Night School, Nandita spearheaded a variety of initiatives as the Head of Experiential Education. One key component was the introduction of focus days, held once a month, to equip students — who were from over 80 countries — with the cultural &amp; ethical frameworks they needed to consider for meaningful community interaction. A believer in the potential of immersive educational experiences, Nandita co-designed and led project weeks that invited students to engage with queer rights activism in Bengaluru and artists working toward social justice in Ahmedabad. Nandita also expanded the College’s annual Theatre Season, growing it from a single week of student-led performances in traditional theatre spaces, into a month-long festival featuring 12-15 productions that involved students, faculty, non-teaching staff, and local community members and saw performances occurring in/on houses, courtyards, staircases, and forests. Nandita worked hard to foster connections between UWC Mahindra College and artist groups in myriad contexts, facilitating on-campus visits by The Company Theatre (Kenya) and the Ensemble Kashmir Theatre Akademi (Kashmir).</image:caption>
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      <image:title>Project Library - MEXICO</image:title>
      <image:caption>Nandita conducted a series of community-based theatre workshops across Puebla, Chiconcuac, and various host locations in Mexico City, emphasizing participatory and collaborative learning. These workshops were intergenerational, welcoming participants of all ages and skill levels. By allowing community members to choose the topics for their plays, Nandita fostered a sense of ownership and relevance in their creative processes, guiding them on the formal aspects of theatre-making while ensuring that their voices and stories remained at the forefront. In addition to these workshops, Nandita engaged in a series of performance experiments with collaborating artists from Mexico and Brazil. These interventions took place in various public spaces—subway stations, taxis, streets, community centers, and homes—always designed to be interactive and multisensory. The performances sought to challenge existing hierarchies and norms surrounding traditional audience-actor relationships, inviting viewers to become active participants in the experience. By blurring the lines between performer and spectator, Nandita aimed to democratize the art of theatre, making it accessible and relevant to the everyday lives of the community members.</image:caption>
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      <image:title>Project Library - DIMAPUR</image:title>
      <image:caption>Nandita co-created site-responsive performances with Dreamz Unlimited, an artistic collaborative in Nagaland, aiming to introduce young artists to experimental theatre-making techniques. The project featured site-adaptive, promenade theatre, where audiences moved through various rooms of a building, challenging traditional notions of what theatre can be. The ensemble worked on adapting Griselda Gambaro's text, Information for Foreigners, which provided a rich context for exploring complex themes relevant to Nagaland. During her subsequent visit, Nandita facilitated the development of Dreamz Unlimited’s new piece designed for a theatre festival in the neighboring state of Manipur. This collaborative and participatory process once again embraced innovative storytelling techniques, including split scenes that examined the tensions between a deep respect for tradition and a desire to break away from it.</image:caption>
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      <image:title>Project Library - AHMEDABAD</image:title>
      <image:caption>As the CAS Coordinator at Mahatma Gandhi International School (MGIS), after conducting an inclusive needs assessment with input from local stakeholders, Nandita launched an initiative to open the campus every Saturday. Children from the village visited the classrooms, eager to learn conversational English, computer literacy, and the arts. Nandita also conceptualized a unique project week that brought together students from MGIS with their peers at Aga Khan Academy in Mombasa. During this immersive week in Kenya, students worked together on dramatization of the historical links between India and Kenya.</image:caption>
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      <image:title>Project Library - KIGALI</image:title>
      <image:caption>Nandita designed a year-long theatre training program and traveling festival for Never Again Rwanda, an NGO dedicated to working with Rwandan youth on issues of conflict resolution and peacebuilding. The program aimed to build facilitation skills among participants while generating meaningful debates about ongoing questions in post-genocide Rwanda, particularly concerning inter-community relationships and marriages. Through monthly workshops that incorporated techniques from Boal's Theatre of the Oppressed—such as Image and Forum Theatre—youth participants were empowered to create their own content and lead discussions. The traveling festival visited Kigali, Butare, and Gisenyi, where the youth's performances sparked heated debates among audience members.</image:caption>
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  </url>
  <url>
    <loc>https://nanditadinesh.com/mapping-safety</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-08</lastmod>
  </url>
  <url>
    <loc>https://nanditadinesh.com/linkinbio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-13</lastmod>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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      <image:title>Link in Bio</image:title>
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  </url>
  <url>
    <loc>https://nanditadinesh.com/uwc-short-course</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ae7be0c365f02506239d099/9bddb5b4-bdf7-4bc0-9933-b3c702d48e9d/Web+main+image.jpg</image:loc>
      <image:title>UWC Short Course</image:title>
      <image:caption>This UWC short course series emerges from Dr. Nandita Dinesh’s book Creative Writing and the Experiences of Others. Nandita is an alumna of UWC Mahindra College and has taught at the United World Colleges in India, Armenia, and USA. Designed for participants 18 and older, Write the World offers strategies that participants can use to engage — ethically, responsibly, and humbly — with current events. In February 2026, the course is structured as three two-hour sessions + two five-hour sessions across the span of five days. Please pay special attention to the time zones, as they cross the International Date Line between regions. APPLICATION DEADLINE: Sunday, February 1, 11.59 PM US PST.</image:caption>
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      <image:title>UWC Short Course - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://nanditadinesh.com/theatre-anywhere-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-10</lastmod>
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      <image:title>Theatre Anywhere 2025 - Theatre Anywhere</image:title>
      <image:caption>Bedrooms. Parks. Kitchens. Offices. Bathrooms. This four-hour, in-person workshop invites participants to explore unconventional spaces as sites for performance — all while exploring important social, political and cultural questions. Find answers to frequently asked questions below!</image:caption>
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      <image:title>Theatre Anywhere 2025</image:title>
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      <image:title>Theatre Anywhere 2025</image:title>
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  <url>
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    <lastmod>2025-10-30</lastmod>
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      <image:title>Events - NEW DELHI RESTAURANT</image:title>
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  <url>
    <loc>https://nanditadinesh.com/sfpl</loc>
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    <lastmod>2025-08-03</lastmod>
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      <image:title>SFPL - Write the World: San Francisco Public Library</image:title>
      <image:caption>This workshop series emerges from Nandita’s book Creative Writing and the Experiences of Others. Each session will explore one unique strategy that participants can use to engage — ethically, responsibly, and humbly — with experiences outside their own. The logistics - August 22, Bayview Branch, Learn more &amp; register here Read the FAQs below for more information.</image:caption>
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  <url>
    <loc>https://nanditadinesh.com/testimonials</loc>
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    <lastmod>2025-10-30</lastmod>
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  <url>
    <loc>https://nanditadinesh.com/incubator</loc>
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    <lastmod>2025-12-06</lastmod>
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      <image:caption>Wondering how to bring your storytelling project to life? This incubator is for you. Through tried and tested project-based learning practices, Nandita offers 1:1 mentorship to execute your vision. The sessions could be virtual or in-person, depending on your location; Nandita lives in San Francisco. Nandita has two decades of experience in arts-based research, responsive education, and project management: from being an alumna of the project-driven Thomas J. Watson Fellowship, to leading arts &amp; experiential education programs at UWC Mahindra College, UWC Dilijan College, UWC-USA &amp; San Francisco University High School, to currently serving as a National Faculty member at Project Based Learning Works. This range of experiences means Nandita can support diverse initiatives: developing | editing your novel, drafting a memoir for you | a family member, supporting you with curriculum development, and more. If you’re unsure whether or not Nandita can support your specific project, please feel free to reach out and check. Nandita’s fee is US$ 50 per hour. After an initial, free, 45-minute conversation to explore fit and get to know your goals, timeline, and budget, Nandita will offer you a customized plan.</image:caption>
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  <url>
    <loc>https://nanditadinesh.com/intensive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-14</lastmod>
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      <image:title>Intensive - Write your World with Fahmidan Education</image:title>
      <image:caption>Explore the power of place-inspired storytelling. Meet people from diverse contexts &amp; get a glimpse into their worlds. Learn how creative writing can unlock personal and cultural memory through an engagement with space. This workshop will take you from your screen and into the places around you. Whether you’re an aspiring author, a student of experimental literature, or a global citizen who is committed to learning from/about the world, this gathering is for you. What’s more, the works that you create during this intensive will be featured in a special issue of Fahmidan Publishing. - For anyone 15 and over - Saturday, April 18 - 7 AM to 11 AM US PST (4 hours) - Virtual + - USD 50</image:caption>
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  </url>
  <url>
    <loc>https://nanditadinesh.com/interdisciplinary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-29</lastmod>
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      <image:title>Interdisciplinary - Write the World: interdisciplinary innovations</image:title>
      <image:caption>This December, learn about the navarasas. Discuss what autoethnodrama entails. Practically explore Do It Yourself immersive theatre. This virtual laboratory is for storytellers across disciplines who are looking to expand their understanding of aesthetic forms. Join us to ⁠discuss experimental modes of storytelling and engage with practical exercises that invite you to test concepts using the art form of your choice. - Saturday, December 6, 11 AM to 1 PM US PST - To register, simply email Nandita and confirm your intent to attend. You will receive the Zoom information a week before the gathering. - There is no fee to attend. If you’d like to support Nandita’s work please consider becoming an annual subscriber to Grey Zones or purchasing a copy of the book we’ll be using to ground our interdisciplinary innovations in December.</image:caption>
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      <image:caption>Write the World is an intergenerational space with a mission to explore how storytelling can facilitate nuanced engagement with the worlds around/within us. In addition to regular posts with thought exercises and storytelling prompts, Write the World subscribers gather online every other month for two hours of shared creativity. Each gathering is led by a different member of the collective, who are storytellers from all over the world. These sessions go beyond writing; they are about: - Meeting kindred spirits from places as far apart as Greece, Singapore, India, Trinidad, Kenya, the US, and the UK. - Discovering how to hold space for others: skills that will serve you in teaching, facilitation, or any community-driven work. - Playing with new ways to tell stories while being rooted in noticing and responding to what’s happening in the world right now.</image:caption>
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    <lastmod>2025-06-03</lastmod>
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    <loc>https://nanditadinesh.com/store/april-write-your-world-intensive</loc>
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